Random Notes on my Birthday

I turned 31 today. I celebrated by working a graveyard shift, sleeping through the day, and then going back to work again. Wheee.

But in better news, June 13 will be my last night working the graveyard shift. After the 13th, I’ll be on a regular 8-5, 5 day a week schedule. I’m hoping this will improve my energy level, my overall mental sanity, and even my writing output, by letting me establish more of a daily routine. As it stands right now, I’m swinging back and forth between a day and a night schedule, which sometimes feels like having chronic jet lag.

It’s been an interesting experience, but I’m ready to get back to normal hours.

In other news, I got to go to Philadelphia on a business trip last week. I had never been to the City of Brotherly Love before, and I have to say, I was impressed. There were a huge number of grand colonial-style buildings (not least of which is City Hall), which gave the city a similar feel to a European capital. I hope I get the chance to go back and explore some more.

Just as we were wrapping up our trip, the Philadelphia Comic Con was shifting into high gear at the Convention Center a block from our hotel. Unfortunately, I didn’t get a chance to stop in and check it out before we left. Instead, we went to see the Liberty Bell, but were thwarted by a Disneyland-esque line (bottom photo, right). But I did get a picture of it through the window.

Various random things that have been going on in the writing world:

-My story Armageddon’s Jester got listed by Jersey Devil Press as one of their favorite stories in 2011.

-My friend Folly Blaine narrated a story for Every Day Fiction that got nominated for a Parsec Award.

-Mark Andrew Edwards, fearless leader of the Cloud City Wordslingers (aka my writing group), had a new story posted at the Mad Scientists’ Journal a couple of weeks ago called Therium 99. It’s one of the funniest stories I’ve read in a while.

And that’s about it for now. 9 more days until I’m off the night shift, woo hoo!

Reflections On the Occasion of a Birthday, or Why I Write

My 30th birthday was two days ago. It ‘s a little unreal; I feel more like a twenty year old than a thirty year old, although since I don’t have much experience yet with what being thirty feels like, I guess that’s a little silly to say. But you usually figure, someone who’s 30, they’re confident and comfortable with who they are, they’re well into their chosen career, maybe they even have a marriage, a house, children. I guess for a long time that was my picture of adulthood. And by the time you’re 30, well– regardless of achievements, it’s tough to dodge being placed in that “adult” category.

Looking back on my twenties, it feels like a large chunk of it was spent trying to obtain those things: a solid job, a house, a stable life. But in retrospect, it wasn’t the right thing to do– or maybe I just did it wrong. Through school and college, I mostly just surfed along, and was able to succeed without putting much thought into things. It’s like I was on a conveyor belt, cruising my way toward graduation or finals or the end of the year, and simply knocking down the obstacles as they came up. After I graduated, I guess I expected life to keep being like that.

For a while, it was. Holding down a regular job is the same sort of “conveyor belt” model: as time proceeds, you complete assignments as they come along, and sort of coast your way through a series of days, which turn into weeks, and into months, and into years. It’s possible to live your whole life that way. A lot of people do, and many of them are happy.

But other things don’t fall so easily into the “Conveyor Belt” model of life. Relationships, for example. I suppose once you’re in one, it feels a bit like a conveyor belt, but the process of meeting someone, of starting a relationship, of falling in love, is in my experience one of the least predictable things ever. Maybe it works differently for some people– in fact, I know it does. Some people I’ve met are able to move from relationship to relationship with hardly a missed step. For me, it’s never worked that way, but that’s a story for a different blog post. Probably a different blog.

When I moved to Seattle, I very deliberately stepped off the conveyor belt of the job. Admittedly, I do still have a job, but it’s part time, I set my own hours, and being a writer shares equal or greater priority with it. And writing, especially before you’re getting paid for it, isn’t a conveyor belt at all. It’s a trail, and a poorly marked one at that. There’s nothing and no one pulling you along. You have to move your own feet, and you better bring a machete, ’cause you’ll be doing a lot of bushwhacking.

If I don’t write, no one will fire me. No one will pull me into a performance meeting and yell at me. I won’t let down my co-workers. The only punishment for not writing is that I don’t get to be a writer… and since this is not an acceptable outcome, I keep doing it.

I tried not being a writer. I tried it for six years. Then, when I grew more and more restless, less and less content, I tried other things. I looked into graduate school. I tried just writing as a hobby. None of it worked. And one day, thinking about this, and all the things I could do with my life, I came to a realization that while I could probably be successful at a lot of things, they would never feel right, because none of those other things were writing.

It took me most of my twenties to realize this. Maybe if I had been more honest with myself, or been more courageous, or not spent a few years’ worth of free time playing WoW, I would have reached that realization sooner. But that’s water (and time) under the bridge; it’s gone, and it’s not coming back. So here I stand, at the start of my fourth decade. I know for sure what I want to do, and it’s goddamn terrifying.

In a way, wanting to be a professional writer is the ultimate conceit. You have to believe that you’re good enough to do it, and that one day you will succeed, even in the face of poor critiques, piles of rejection letters, and plenty of stories of other people’s failures that tell you otherwise. You ignore that nagging voice in your head which tells you that you suck and you’ll never be good enough and you should just quit now. Even when you know for a fact that the story you just wrote is bad, you still have to hold on to that nugget, that belief that you can and you will succeed at this, or all will be lost.

If you let that belief go, if you get discouraged, you’ll stop writing, and then here’s the thing: nothing will happen. You won’t fail out of school. Your boss won’t give you a bad review or fire you. If you’re not making money, the decision won’t cost you anything financially, and heck, you’ll find yourself with a ton of extra free time. But you won’t be writing, and that part of your soul is always going to hurt, and eventually, it will drive you crazy. It’s happened once to me already. I don’t want to waste time letting it happen again.

So here I am. Thirty years old. I’m staring down a long road paved with rejection letters, of years of unpaid practice and work, hoping for a break, hoping that maybe at some point I’ll write something good enough, which when combined with a dose of luck, means I’ll be able to make a living at this thing. And then I’ll do it again. And again. And with each bit of success it will hopefully get easier, but until then, it’s a long, long slog. And all the time, that voice in my head will whisper, You should have a career and a house and a family and be settling down by now, not living in a tiny apartment working a part-time job and putting tons of work into some crazy whim with only marginal hope of success.

Maintaining that level of determination, in the face of a pile of self-doubt and rejection, is the hardest thing I’ve ever done; the thought of doing it for years and years to come is scary as hell. But if the alternative is not being a writer, then I’ll do it.

The next decade is going to be interesting.